Philly de Lacey is the Managing Director of production company Screentime NZ. Screentime has produced a number of crime documentaries and dramas, and De Lacey has been involved with many of them as Executive Producer. Her credits include documentary series Police Ten 7, Water Patrol and Marae DIY; and the dramas Bloodlines, Siege, Safe House and Underbelly: Land of the Long Green Cloud. Currently De Lacey has two telemovies in post-production: How to Murder Your Wife, and Venus and Mars.
In this ScreenTalk, de Lacey talks about:
- Wanting to demystify the police in Police Ten 7
- Having to carefully edit the programme to protect the vulnerable
- The joy of making ‘feel good’ show Marae DIY
- Making sure victims of crime were okay with being part of Beyond the Darklands
- Dealing carefully with legal issues with Underbelly: Land of the Long Green Cloud
- Being emotionally affected when filming Siege
- Justifying the decision to make How to Murder Your Wife a black comedy
This video was first uploaded on September 1 2014. This video is not part of the Creative Commons licence.
Dunedin-born Alan Dale always had his sights set on brighter lights: first Auckland, then Sydney, then Los Angeles, where he now lives. He started out performing in amateur theatre, but came to professional acting late, taking a DJ slot on Radio Hauraki in his late 20s, followed by a role on the Hauraki-inspired series Radio Waves.
Moving to Australia, Dale appeared on The Young Doctors, before playing the fondly remembered solo father, Jim Robinson, for almost a decade on Neighbours.
Since moving to Los Angeles, he has often played bad guys, authority figures and moguls on series including ER, Lost, NCIS, 24, The X Files and Entourage, plus high profile roles on The OC and Ugly Betty, and parts in feature films including Indiana Jones and the Kingdom of the Crystal Skull.
Dale has returned to New Zealand for only two series: Plainclothes and Auckland Daze. He also appeared in Flight of the Conchords on HBO, playing the Australian Ambassador. In 2014, Dale was cast as General Rysen, a lead in the SyFy series Dominion.
In this ScreenTalk, Dale talks about:
- Growing up in a theatre family
- Deciding to become an actor at age 29
- Talking his way onto Radio Hauraki after hearing a DJ quit live on air while he was doing a milk run
- Talking his way into television in a similar way
- Playing a version of his Radio Hauraki boss in his first screen role on Radio Waves
- Landing an agent and a job on his first day in Australia
- His eight years playing kindly patriarch Jim Robinson on Neighbours
- Why he wasn’t upset at being written out of Neighbours
- How Natalie Imbruglia’s music video for Torn (which was directed by Alison Maclean) inspired him to move to Hollywood
- Taking acting lessons for the first time as an older actor in Los Angeles
- Discovering, after years as the “nice guy”, how to play bad guys
- Why he’s glad his mother wasn’t alive to see Auckland Daze
- Flying to New York to play the Australian Ambassador in the HBO series Flight of the Conchords
This video was first uploaded on August 18 2014 and is available on YouTube to embed and distribute via a Creative Commons licence.
James Napier Robertson began his career as an actor in the teen shows Being Eve and The Tribe. Finding acting unfulfilling, he moved into writing and directing with the short film Foul Play, before forming a production company with business partner Tom Hern. Since then Napier Robertson has directed two features: I’m Not Harry Jenson and The Dark Horse.
In this ScreenTalk, Napier Robertson talks about:
- Feeling validated yet unfulfilled as an actor on Being Eve
- Meeting his future production partner Tom Hern on the kids show The Tribe
- Possibly taking on too many roles directing his short film Foul Play
- Underestimating the budget on his first feature film I’m Not Harry Jenson
- Thinking he’d almost killed one of the actresses on set
- The responsibility of writing the true story The Dark Horse
- Feeling very lucky to have created a dream cast for the film
This video is available on YouTube to embed and distribute via a Creative Commons licence.
Robert Boyd-Bell has made a huge contribution to the development of TV news reporting in New Zealand. He began his career as a reporter with the fledgling NZBC News service in the mid 1960s, and later headed the northern newsroom of TV One in the 1970s. Boyd-Bell has also worked as a documentary producer, and was instrumental in setting up educational television services eTV and The Knowledge Breakfast. He is a keen advocate for public service broadcasting.
In this ScreenTalk, Boyd-Bell talks about:
- Why the NZBC had to set up its own news service
- The slow journey international news took to get on air, in the days before a national network
- Bringing changes to the newsroom
- The infamous Tonight interview with Sir Robert Muldoon
- Establishing educational television service eTV
- How The Knowledge Breakfast became the first online TV show in New Zealand
- How family dynamics proved a challenge making Billy T: Te Movie
- How his fascination with Kiri Te Kanawa led to the doco My Breathing is Singing
- Why New Zealand needs a non-commercial TV service
This video was first uploaded on July 28 2014 and is available on YouTube to embed and distribute via a Creative Commons licence.
Veteran broadcaster Bill McCarthy was the popular face of TV news and sport in the 1970s. Starting as a sports anchor, he later moved to primetime news-reading, and then became a producer on the classical music series Opus, as well as one-off big event television such as the 1987 Rugby World Cup and Telethon. In later years, McCarthy has produced host broadcasts for the 2004 and 2008 Olympics and become involved with Christian broadcaster Shine TV.
In this ScreenTalk, McCarthy talks about:
- Having to learn on the job in the early days of NZBC news
- How the 1974 Commonwealth Games changed broadcasting
- Being initially reluctant to read the news on TV One
- Why he didn’t really like hosting Top Town
- Moving to producing with the classical music show Opus
- Having his greatest experience ever filming the yachting documentary Two Boats Two Dreams
- The stress and satisfaction of producing the 1987 Rugby World Cup
- The chaos of producing Telethon
- Having one of the most varied careers in television
This video was first uploaded on July 14 2014 and is available on YouTube to embed and distribute via a Creative Commons licence.
David Harry Baldock’s long TV career includes submarines, sea rescues, ailing prime ministers and psychics. The onetime editor began making his mark as a director and producer on current affairs and a run of documentaries. In 1988 he left state television to launch production company Ninox, whose prolific output would grow to include Sensing Murder, Mitre 10 Dream Home, award-winner Pacific Rescue and ambitious documentary series Our People Our Century. During a return visit from his current base in Shanghai, Baldock talked to ScreenTalk about:
- A car accident while at high school that helped shape his attitude to life
- How after moving from hometown Dunedin to Wellington he was given three months to sink or swim, directing current affairs
- His Anglican-inflected take on the feisty Tonight interview where Simon Walker dared to challenge PM Robert Muldoon about Russian subs
- August '74 - The Death of a Prime Minister, his documentary on PM Norman Kirk’s final week - and how it confirmed his sense of how to get great interviews
- Deciding to take the bull by the horns and leave his TVNZ job, before learning if he was going to be made redundant
- Setting up production company Ninox in 1988
- Managing to win major sponsorship to complete award-winning series At the Risk of Our Lives, only to have the offer turned down
- How hit show Mitre 10 Dream Home proved a win win, and a life-changer
- His fear of making the history series Our People Our Century, and how the programme almost brought Ninox to its knees
- The “fantastic brain” of producer Ray Waru
- Sensing Murder: a passionate defence of the show’s integrity, and insights into the stresses of making it
This video was first uploaded on July 7 2014 and is available on YouTube to embed and distribute via a Creative Commons licence.
As a high schooler, Melanie Lynskey came to international attention in her first screen role, playing Pauline Parker in Peter Jackson’s Oscar-nominated feature film Heavenly Creatures.
Since then, the New Plymouth-born, Los Angeles-based actress has gone on to work with many of Hollywood’s biggest names, playing Drew Barrymore’s stepsister in Ever After, Matt Damon’s wife in The Informant, and George Clooney’s sister in Up in the Air. She has also had a scene-stealing guest role as Rose on the Emmy Award-winning sitcom Two and a Half Men.
Lynskey has returned to New Zealand to star in feature films Snakeskin and Show of Hands, and more recently landed a leading role in the Duplass brothers’ HBO series Togetherness.
In this ScreenTalk, Lynskey talks about:
- Being bitten by the acting bug at the age of six
- Missing the school assembly at which the Heavenly Creatures audition was announced
- Working with actor-director Miranda Harcourt to prepare for her second Heavenly Creatures audition
- The responsibility of playing a real-life murderer on screen
- How her off-screen friendship with Kate Winslet mirrored their on-screen relationship
- Why Snakeskin was the greatest acting experience of her life
- The secret behind how Craig Hall would prepare for his scenes in Show of Hands
- Why her experience on her younger sister’s short film, A Kiwi Legend, was better than most of her Hollywood acting jobs
- Why she turned down the chance to be “a millionaire” on Two and a Half Men
- What sets A-list actors apart from their acting peers
This video was first uploaded on 23 June 2014 and is available on YouTube to embed and distribute via a Creative Commons licence.
Kelly Johnson is best remembered for his lead role in the iconic Kiwi film Goodbye Pork Pie. He followed that success with roles in the films Carry Me Back, Bad Blood, Battletruck and Utu. In more recent times, Johnson has worked as a lawyer, but he still does occasional guest acting roles, including in Shortland Street and Maddigan’s Quest.
In this ScreenTalk, Johnson talks about:
- Understanding the process of filmmaking on the set of Goodbye Pork Pie
- Feeling excited to be acting in the country’s first road movie
- What the film means to him now
- Having problems with an old car in the television film Hang on a Minute Mate
- Underplaying the comedy on Carry Me Back
- Hanging out with the American crew on Battletruck
- The moody nature of the area when filming Bad Blood
- Trying to work out the acting style required for the movie Utu
- Feeling proud and privileged to have been a part of New Zealand’s early film industry
This video was first uploaded on June 2014 and is available on YouTube to embed and distribute via a Creative Commons licence.
Robert Rakete is a popular TV and radio host, and actor. His first acting role was on the kidult show Sea Urchins, which was followed by roles in Mortimer’s Patch and Loose Enz: The Protesters. Rakete has hosted or appeared in a range of TV shows, from music programmes CV and RTR, to Clash of the Codes and What Now? In 2014 he was invited to join the Australian children’s group The Wiggles for some guest appearances.
In this ScreenTalk, Rakete talks about:
- Having three months off school to be in Sea Urchins
- Getting acting lessons on set from actor Ian Mune
- Feeling a fraud during rehearsals for The Protesters
- Learning that people take music too seriously while hosting pop show CV
- Observing experienced TV presenters to learn how to present for RTR
- Becoming the ‘go to’ guy when other presenters had time off
- Community politics and his grandmother’s death on Hero Parade
- Playing himself as a cartoon character on bro’Town
- The incredible experience of becoming the Brown Wiggle for The Wiggles
This video was first uploaded on 26 May 2014 and is available on YouTube to embed and distribute via a Creative Commons licence.
Peter Wells is an accomplished writer and director who has explored gay and historical themes in his work. Among his television and film credits are the ground-breaking TV dramas Jewel’s Darl and A Death in the Family. Wells also created the feature film Desperate Remedies with co-director Stewart Main. In later years he has collaborated with filmmakers Annie Goldson (Georgie Girl) and Garth Maxwell (Naughty Little Peeptoe).
In this ScreenTalk, Wells talks about:
- The idea for My First Suit coming from his co-director Stewart Main
- Knowing that the TV drama Jewel’s Darl would enrage people
- How actress Georgina Beyer was made for the role of Jewel
- Filming a scene in front of a real protest against homosexual law reform
- Having a huge problem with TV censors over the drama
- How a personal experience lead to the film A Death in the Family
- Turning a desire to save at-risk architecture into The Mighty Civic
- How budget constraints lead to the high theatre of Desperate Remedies
- Having to convince the Film Commission on the casting choices
- Telling the impressive story of Georgina Beyer in Georgie Girl
- Believing that queer filmmaking does have a future
This video was first uploaded on 12 May 2014 and is available on YouTube to embed and distribute via a Creative Commons licence.