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	<title>ScreenTalk &#187; annie collins</title>
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		<title>Annie Collins on cutting films</title>
		<link>http://screentalk.nzonscreen.com/interviews/annie-collins-on-cutting-films</link>
		<comments>http://screentalk.nzonscreen.com/interviews/annie-collins-on-cutting-films#comments</comments>
		<pubDate>Wed, 11 Feb 2009 23:46:12 +0000</pubDate>
		<dc:creator>Screen Talker</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[annie collins]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[editor]]></category>
		<category><![CDATA[lord of the rings]]></category>
		<category><![CDATA[patu]]></category>

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		<description><![CDATA[Editor Annie Collins has worked with some of New Zealand&#8217;s most provocative directors, including Barry Barclay (The Neglected Miracle), and Merata Mita (Patu!) over a 30 year editing career. Collins has also edited key feature films, (Scarfies, Out of the Blue) and was part of the editing team on Peter Jackson’s Lord of the Rings. [...]]]></description>
			<content:encoded><![CDATA[<p>Editor <a href="http://www.nzonscreen.com/person/annie-collins">Annie Collins</a> has worked with some of New Zealand&#8217;s most provocative directors, including Barry Barclay (<em>The Neglected Miracle</em>), and <a href="http://www.nzonscreen.com/person/merata-mita">Merata Mita</a> (<a href="http://www.nzonscreen.com/title/patu-1983"><em>Patu!</em></a>) over a 30 year editing career. Collins has also edited key feature films, (<a href="http://www.nzonscreen.com/title/scarfies-1999"><em>Scarfies</em></a>, <a href="http://www.nzonscreen.com/title/out-of-the-blue-2006"><em>Out of the Blue</em></a>) and was part of the editing team on <a href="http://www.nzonscreen.com/person/peter-jackson">Peter Jackson</a>’s <em>Lord of the Rings</em>.</p>
<p>NZ On Screen’s <a href="http://www.nzonscreen.com/person/clare-oleary">Clare O’Leary</a> visits Collins at her home and Collins reflects on:</p>
<ul>
<li>Her beginnings in the industry and being convinced by producer <a href="http://www.nzonscreen.com/person/pat-cox">Pat Cox</a> to shelve her design training and become an editor.</li>
<li>What she requires of directors (“that they’ve done their homework!”)</li>
<li>Cutting <a href="http://www.nzonscreen.com/title/patu-1983"><em>Patu!</em></a> with <a href="http://www.nzonscreen.com/person/merata-mita">Merata Mita</a>: evading the police and becoming conscious of the Springbok Tour Protests’ relevance to New Zealand history and realising the (different) echoes it had for Mita as a Māori filmmaker.</li>
<li>Working with director <a href="http://www.nzonscreen.com/person/robert-sarkies">Robert Sarkies</a> on <a href="http://www.nzonscreen.com/title/scarfies-1999"><em>Scarfies</em></a> and <em><a href="http://www.nzonscreen.com/title/out-of-the-blue-2006">Out of the Blue</a></em></li>
<li>The four and a half years she spent working on the <em>Lord of the Rings</em> trilogy and the realisation that despite the “profound experience” of working on such a massive scale project that she needed to get back to New Zealand stories.</li>
<li>Her consciousness of the power of the edit: “it takes about five seconds for you to destroy somebody in a cut, or edit, on national TV.”</li>
<li>The ethics of story-telling: the need for the people who are involved in a documentary (or a story where the subjects are still alive) to follow “good process” and the importance of “clarity of mind and heart.”</li>
</ul>
<p>Collins is currently working on Graeme Tuckett&#8217;s documentary about Barry Barclay due for release later this year.</p>
<p>See <a href="http://www.nzonscreen.com/person/annie-collins">Annie Collins&#8217; profile</a> on NZ On Screen.</p>
<p>This interview is <a href="http://www.youtube.com/watch?v=789dI1yG6BY">available on YouTube</a> for embedding and distribution.</p>
<p>Credits: Direction and Interview &#8211; Clare O&#8217;Leary, Camera and Editing &#8211; Leo Guerchmann</p>
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