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	<title>ScreenTalk &#187; bad taste</title>
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		<title>Tony Hiles interview</title>
		<link>http://screentalk.nzonscreen.com/interviews/tony-hiles-interview</link>
		<comments>http://screentalk.nzonscreen.com/interviews/tony-hiles-interview#comments</comments>
		<pubDate>Wed, 18 Feb 2009 00:59:44 +0000</pubDate>
		<dc:creator>Screen Talker</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[bad taste]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[Film Commission]]></category>
		<category><![CDATA[film making]]></category>
		<category><![CDATA[local history]]></category>
		<category><![CDATA[peter jackson]]></category>
		<category><![CDATA[television]]></category>

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		<description><![CDATA[Director Tony Hiles talks about over 30 years of film-making, from making television and documenting local history and artists, to his involvement in feature films: His beginnings (“the best years of television in this country”) at TVNZ’s Avalon studios in the seventies, where he directed game shows, music, and current affairs programmes. Founding production company [...]]]></description>
			<content:encoded><![CDATA[<p>Director <a href="http://www.nzonscreen.com/person/tony-hiles">Tony Hiles</a> talks about over 30 years of film-making, from making television and documenting local history and artists, to his involvement in feature films:</p>
<ul>
<li>His beginnings (“the best years of television in this country”) at TVNZ’s Avalon studios in the seventies, where he directed game shows, music, and current affairs programmes.</li>
<li>Founding production company City Associates with partner Judith Fyfe in 1980, and his experiences making local history documentaries.</li>
<li>Making films with artists Michael Smither (<a href="http://www.nzonscreen.com/title/one-man-and-the-sea-1984"><em>One Man and the Sea</em></a>; <a href="http://http//www.nzonscreen.com/title/flight-of-fancy-1987"><em>Flight of Fancy</em></a>) and Robin Morrison (<em>From the Road</em>), and the fun of small-crew, seat-of-your-pants shooting. The key [to the documentaries] “was to be in at the beginning &#8230; where we had no idea what was going to happen the next day.”</li>
<li>Being brought onboard as consultant producer on <a href="http://www.nzonscreen.com/person/peter-jackson">Peter Jackson</a>’s breakout splatstick debut, <em><a href="http://www.nzonscreen.com/title/bad-taste-1988">Bad Taste</a></em>. Hiles was asked by the Film Commission’s Jim Booth (<em>Bad Taste&#8217;s</em> producer) to assess the script and figured, “if it makes me laugh it’ll make someone else laugh as well.” Hiles also directed <a href="http://www.nzonscreen.com/title/good-taste-made-bad-taste-1988"><em>Good Taste Made Bad Taste</em></a>, the movie’s ‘making of’ story.</li>
<li>His relationship with Booth and the impact that his untimely death had on <a href="http://www.nzonscreen.com/title/jack-brown-genius-1994"><em>Jack Brown Genius</em></a>: the feature that didn’t fly about a man who dreamed about flying. In the wake of the disappointment of <em>Genius</em> Hiles reflects on the lessons he’s learned over his long career: “if it don’t feel right, don’t do it!”</li>
</ul>
<p>This interview is also <a href="http://www.youtube.com/watch?v=0Yv1Uemam3Y">available on YouTube</a>.</p>
<p>Credits: Direction and Interview &#8211; Clare O&#8217;Leary, Camera and Editing &#8211; Leo Guerchmann</p>
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