ScreenTalk

Award-winning director Brendan Donovan cast Lee Majors in his debut short film. It was a success. Then after eight years working in New York, the Howick native returned to New Zealand, where he has directed and written for television and cinema both here and in Australia, most recently crafting feature film The Hopes and Dreams of Gazza Snell.

In this ScreenTalk interview, Donovan talks about:

• How he cast Lee Majors (The Six Million Dollar Man) in his debut short film Here
• Details from the making of short film Grasp
• His initial reaction to scripts for The Insiders Guide to Happiness
• Details on how The Insiders Guide to Happiness footage was captured and techniques used to achieve visual effects
• Delightful insights into working with Australian actor Bryan Brown on the Aussie TV series Two Twisted
• Behind-the-scenes details of special effects used in tele-feature Aftershock
• How feature film The Hopes and Dreams of Gazza Snell was created

This video is available on YouTube to embed and distribute via a Creative Commons licence.

Ainsley Gardiner (Te-Whānau-a-Apanui, Ngāti Pikiao, Ngāti Awa) fell in love with the magic of the big screen while growing up in Whakatane, where you could find her most Fridays at the local cinema catching the latest release. Her first formal foray into film and television came in 1995 when she joined producer Larry Parr at Kahukura Productions, eventually producing low budget feature Kombi Nation (2003) and co-producing the 26-part comedy/drama TV series Love Bites (2002).

Following the demise of Kahukura, Gardiner teamed up with Taika Waititi to work on Oscar-nominated short film Two Cars, One Night. Soon after that she established Whenua Films with actor/producer Cliff Curtis. Together the trio struck creative gold with World War II short Tama Tū, Waititi’s debut feature Eagle vs Shark and box office hit Boy.

In this ScreenTalk interview, Gardiner reveals:

• How great early experiences at Kahukura set her up for her successful career
• The highs and lows of low budget film production on Kombi Nation
• The challenges involved in dealing with TV networks
• Her feelings on the liquidation of Kahukura Productions
• Her thoughts on Taika Waititi’s early scripts, and how their working relationship developed
• Her reaction to their Oscar nomination
• Her strategies in producing Eagle vs Shark
• How the script for Boy was developed
• The challenges involved in casting Boy
• How the Boy soundtrack came about
• Plans for her next feature project, a horror movie

This video is available on YouTube to embed and distribute via a Creative Commons licence.

Actor, acting teacher, and artist Grant Tilly has played cow cockies, assassins, missionaries, and German villains in funny hats. And that’s not even counting his long-running stage career, which has included a run of classic Kiwi plays, one of which became acclaimed movie Middle Age Spread.

In this ScreenTalk interview, Tilly talks about:

• how people sometimes still recognise him from 60s TV show Joe’s World, and the topics he was told never to mention on early series In View of the Circumstances
• acting in 70s mega production The Governor, and the challenges of competing on screen against his bad haircut
• being allowed to go solo by director John Reid while making two farmers and a dead Dad comedy Carry Me Back, for a memorable scene in which his character finally tells his father what he really thinks of him
• squaring off against Men in Black star Tommy Lee Jones for a fight scene in movie epic Savage Islands
• how his career as an actor, stage designer, and co-founder of Wellington’s Circa Theatre has intersected with the works of writer Roger Hall – including his acclaimed performance as a philandering headmaster in Middle Age Spread
• playing a repressed accountant who becomes obsessively interested in a masseuse in movie Skin Deep
• the challenges of portraying real life people on screen
• the similarities between war and movie-making

This video is available on YouTube to embed and distribute via a Creative Commons licence.

When not riding the motorcycles he loves, Craig Hall performs in a wide variety of theatrical, film and TV roles. His big screen debut was in the feature film Savage Honeymoon and his first major TV role was playing the sexy but dumb Clint in The Strip. He has also made regular appearances on the TV shows Burying Brian and Outrageous Fortune. Hall has co-starred in large Hollywood film projects King Kong and The World’s Fastest Indian. His other New Zealand film credits include The Ferryman, Eagle vs Shark and Show of Hands.

In this ScreenTalk interview, Hall discusses:

• How stripping in front of a group of pensioners caused a stir on The Strip
• Working with Anthony Hopkins in The World’s Fastest Indian
• Being directed by Peter Jackson in King Kong
• Struggling to like his character Nicky Greegan in Outrageous Fortune
• How he loved being in the mini-series Burying Brian and the craziness of the story
• Anthony McCarten‘s storytelling and the challenges of the script for the film Show of Hands
• Still getting excited whenever he gets a role

This video is available on YouTube to embed via a Creative Commons licence.

Credits:  Interview, Camera & Editing – Andrew Whiteside

It is hard to imagine a credit roll for the New Zealand film and television industry without the name John Barnett being high on the titles.

Since the 1970′s John Barnett has been key in bringing a host of uniquely Kiwi stories to local and international screens, from Fred Dagg to Footrot Flats, from Whale Rider to Sione’s Wedding and What Becomes Of The Broken Hearted?, from iconic soap Shortland Street to the wildly successful Westie family drama, Outrageous Fortune.

Barnett talks to NZ On Screen’s Clare O’Leary about his 30+ years as a driving force in New Zealand television and film:

• his beginnings in the television and film industry in the seventies, from working on children’s series The Games Affair, and the Endeavour Productions’ documentary series on Janet Frame, Ngaio Marsh and Sylvia Aston-Warner, to managing John Clarke (aka Fred Dagg)
• branching out into feature film production with Dagg Day Afternoon, Middle Aged Spread and Beyond Reasonable Doubt
• on his motivation: making films that “people understand immediately” and telling universal stories (Whale Rider, Sione’s Wedding)
• being involved in lobbying for the formation of the New Zealand Film Commission.
• heading South Pacific Pictures, New Zealand’s largest film and television production company and developing programmes (Shortland Street, Outrageous Fortune) that “reflect the way we [New Zealanders] see ourselves.”
• on his favourite production: “They’re all my children … I love everything we’ve made … we have a kind of mantra here [at SPP] : we’re not going to get involved unless we love it … I like stories in which people challenge the system and win: beating the odds is something that everybody understands.”

For more clips and background information, and profiles of cast and crew from the film and television titles produced by Barnett and South Pacific Pictures, see NZ On Screen.

This interview is available for download and distribution on YouTube as Part 1 and Part 2.

Credits: Direction and Interview – Clare O’Leary, Camera and Editing – Leo Guerchmann