In this ScreenTalk, Darragh talks about:

• Helping create special effects on the classic TV series Under the Mountain
• Using an assortment of odds and ends to create Billy T James’ Tainuia Kid costume for Came a Hot Friday
• Scouring old photo albums to create a vintage feel for The End of the Golden Weather
• How winning an award for the film’s costumes recognised the costume designing craft
• Having fun creating costumes for the ‘sandals and swords’ fantasy show Hercules
• Never intending to create a lesbian icon when designing the signature costume for Xena
• Using an incredible amount of blue dye for the soldiers’ uniforms on River Queen
• Managing tension on set over different views on how the film should look
• How beauty, pain, dirt and nudity make designing for Spartacus a ‘dream’

This video is available on YouTube to embed and distribute via a Creative Commons licence.

In this ScreenTalk interview, Thomson talks about:

• Spilling wine over himself on his very first TV shoot on Marlin Bay
• Playing a US soldier in Bread and Roses
• Bringing a ‘Woody Allen’ touch to playing Hades in both Hercules and Xena
• How presenting the Australian travel show Getaway was not as glamorous as it sounds
• Why Packed to the Rafters has been a huge hit due to its ‘everyman’ approach to characters
• How a TV critic had to eat his words after claiming the show would not work
• Never dreaming he would have the career path he has had

This video is available on YouTube to embed and distribute via a Creative Commons licence.

In this ScreenTalk interview, Parker discusses:

• How terrifying Gloss was but how it taught him about TV
• Playing annoying social worker Guy Warner on Shortland Street
• The fun of Hercules and Xena
• Fighting with Lucy Lawless on set
• The dangers of on-set catering on Mercy Peak
• An awkward sex scene with good friend Robyn Malcolm
• The enormity of Lord of the Rings
• How he loved making Diplomatic Immunity despite it not being a complete success
• Being part of the yet to be screened TV series Spartacus

This video is available on YouTube to embed and distribute via a Creative Commons licence.

In the mid-90s Hurst also began directing for the screen, initially on episodes of Hercules and Xena, but also helming the feature film comedy Jubilee, and TV mockumentary drama Love Mussel.

Hurst talks about his early days in theatre, his first television appearance in 30 Minute Theatre – Tinkling Brass, and his first major roles in the Sunday Theatre one-off Casualties of Peace, and rock band drama Heroes.

He also talks about his first feature film role, in the 1984 David Blyth splatter film Death Warmed Up, and reveals that he hated seeing himself in the film and thought he had “made an appalling job of it”.

After Death Warmed Up, he decided he would never work in film again, but recovered from that fairly quickly with the feature Dangerous Orphans in 1985.  His work on 1993 classic Desperate Remedies made him “love film again.”

Hurst discusses the making of Desperate Remedies, in particular the delights of working with celebrated cinematographer Leon Narbey.

Hurst also tells the story of how he won the part of Iolaus in Hercules, and of his on-going connection to the role through Hercules and Xena fan conventions.

And he discusses how Hercules and Xena led him into television and film directing, including the feature Jubilee and the television mockumentary Love Mussel.

Hurst closes the interview talking about his latest project – a feature film called Bitch Slap.

This video is also available on YouTube.

Credits: Interview by Clare O’Leary, Camera and Editing by Leo Guerchmann.

These productions were instrumental in building the skill base of the NZ cast and crew. Many NZ actors found fame through their characters, particularly Lucy Lawless (now married to Tapert) and Michael Hurst (Iolas in Hercules).

Tapert talks about his beginnings in the industry: dropping out of grad school in Michigan (where, “Hollywood might as well have been as far away as New Zealand”) to make films with long time business partner and Hollywood director, Sam – Evil Dead, Spider-Man – Raimi. Tapert also discusses:

• Making blood mixture on their first feature, Evil Dead.
• The inherent difference between feature films and television.
• His involvement in Hercules and the challenges of juggling global productions.
• His commitment to local cast and crew and the unlikely inspiration for Hercules’ cast (Desperate Remedies).
• His inspirations for Hercules’ spin-off Xena and the internet’s influence on Xena becoming a pop culture icon.
• Why local actors and directors have succeeded on these productions, but NZ writers haven’t managed the crossover and why post-production effects were done in the US.

Tapert continues to bring new productions to NZ, and is about to cast a new R-rated series for US Cable TV based on the Roman slave story, Spartacus. He has recently finished producing another major TV series in Auckland, Legend of the Seeker.

This video is available for distribution on YouTube as Part One and Part Two.

Credits: Direction and Interview – Clare O’Leary, Camera and Editing – Leo Guerchmann