The director’s rollercoaster screen ride has included everyone from Wild Man Bruno Lawrence to Mickey Rourke; from varsity safe-crackers to hobbits, with time for nail-biting hijinks both in Wellington railyards, and atop the LA Metro train.

In this ScreenTalk interview, Murphy talks about:

• The days when there were so many film reviewers in New Zealand you could easily “make a national idiot of yourself”
• Fighting to handle local distribution (and publicity) for Goodbye Pork Pie – and realising the movie wasn’t the work of genius some thought
• How the famous line “We’re taking this bloody car to Invercargill” had audiences erupting in cinemas
• Making movies on the Blerta bus, and how working without dialogue proved helpful in his latter career
• Casting union delegate Zac Wallace to star as Te Wheke in Land Wars epic Utu, and Murphy’s happiness at the high turnout of Māori viewers
• Comical tales of filming Utu on location, with 1000 extras
• How sci fi cult legend The Quiet Earth was forced into production, thanks to its investors
• The challenge of making a movie where for extended scenes only one character (Bruno Lawrence) is on-screen
• Working in Hollywood, and the perils of taking the honest approach

This video is available on YouTube to embed and distribute via a Creative Commons licence

Harley began her career as an academic but quickly moved into management in the film and television sector, initially at TVNZ in the 1980s, then as the first Executive Director of the newly formed funding body NZ On Air.

In 1997 she was appointed CEO of the NZ Film Commission. Harley talks to NZ On Screen’s Clare O’Leary about being a sometimes controversial leader of the central industry body as it faces up to growing pains, and the challenges of fostering a sustainable New Zealand film industry.

This video is also available for download and distribution on YouTube.

Credits: Direction and Interview – Clare O’Leary, Camera and Editing – Leo Guerchmann